“Portraiture as a Directorial Act”
Cahiers du Cinéma
— “Why She Shoots Alone”
Vogue Italia
— “From Analog to Editorial”
The New Yorker
— “Directing Through Stillness”
Le Cinéma Réel
— “Portraits that Don’t Perform”
Le Monde
Roux’s work has appeared across cultural publications, film journals, and creative interviews each one reflecting the evolving dialogue between still image and moving frame. These features highlight not just the finished result, but the method, philosophy, and vision behind the lens.
Seen and Covered
001: Roux on Record
Select projects have been exhibited and screened in spaces that celebrate experimental portraiture and short-form cinematography. These appearances mark Roux’s presence in both editorial and artistic circles bridging commercial sessions with personal narrative work.
Work in Circulation
exhibitions & festivals
• STATIC HOLD // 16:09
Location: Florence
2024 – Short Cuts Festival,
Location: Arles
2024 – Éclat Cinématographique,
Location: Milan
2025 – RAW Motion Exhibit,
Beyond the frame, Roux has been invited to speak about her approach to directing sessions, leading a cinematic team, and cultivating a visual language rooted in emotion rather than performance. These appearances offer insight into the thought behind the practice where intention meets instinct and every frame begins with feeling.
Behind the Work
Interview & Speaking Engagements
“Photography is how I make sense of what I see. It’s a way of framing clarity in motion.”
9.1859° E
Cinematography isn’t just the act of recording it’s the art of refinement. Each project is built with care, not just for what’s visible, but for what’s essential. The pauses. The tension. The sense that something real passed through the lens and stayed intact. Roux’s process is about more than final images it’s about preserving the emotional weight of a moment without overstating it. The result is work that lives beyond trend, beyond memory. It stays with you because it was made to.
